Kara Chin
b. 1994, Singapore
Kara Chin is a British-Singaporean artist working across animation, ceramics, and installation. She uses playful materials, strange scales and fragmented references in sculptures that come to life as hybrid creatures, constantly shape shifting between object, being and setting. Works often suggest quasi-religious ceremonies, devices or artefacts that reflect on our day to day relationship to fast evolving technologies and ecologies.
Installation views, ‘Pity Petty’, by Kara Chin and Romain Sarrot, Hatch Gallery, Paris, 2026. © Pauline Assathiany. Courtesy of the Artists and Hatch Gallery.
Kara Chin
The Goone State
2026
Glazed stoneware ceramic, lamp bulb
36 × 35 × 27 cm
Installation views, ‘Pity Petty’, by Kara Chin and Romain Sarrot, Hatch Gallery, Paris, 2026. © Pauline Assathiany. Courtesy of the Artists and Hatch Gallery.
Kara Chin
You take one more step and I'll kill you
2026
Glazed stoneware ceramic
20 × 30.5 × 2 cm
Installation views, ‘Pity Petty’, by Kara Chin and Romain Sarrot, Hatch Gallery, Paris, 2026. © Pauline Assathiany. Courtesy of the Artists and Hatch Gallery.
Kara Chin
AMV Cats
2026
Digital animation, three screens display
Installation view, 'The Wasteland: PAY AND DISPLAY', FACT, Liverpool Biennial of Contemporary Art, Liverpool, UK, 2025. © Mark McNulty. Courtesy of the Artist and Liverpool Biennial.
Kara Chin
Fatal Blow
2025
6-Channel interactive animation
1080p 16:9 (x6)
Installation view, 'The Wasteland: PAY AND DISPLAY', FACT, Liverpool Biennial of Contemporary Art, Liverpool, UK, 2025. © Mark McNulty. Courtesy of the Artist and Liverpool Biennial.
Installation view, 'The Wasteland: PAY AND DISPLAY', 2025, details.
Kara Chin
b. 1994, Singapore
Kara Chin is a British-Singaporean artist working across animation, ceramics, and installation. She uses playful materials, strange scales and fragmented references in sculptures that come to life as hybrid creatures, constantly shape shifting between object, being and setting. Works often suggest quasi-religious ceremonies, devices or artefacts that reflect on our day to day relationship to fast evolving technologies and ecologies.
Installation views, ‘Pity Petty’, by Kara Chin and Romain Sarrot, Hatch Gallery, Paris, 2026. © Pauline Assathiany. Courtesy of the Artists and Hatch Gallery.
Kara Chin
The Goone State
2026
Glazed stoneware ceramic, lamp bulb
36 × 35 × 27 cm
Installation views, ‘Pity Petty’, by Kara Chin and Romain Sarrot, Hatch Gallery, Paris, 2026. © Pauline Assathiany. Courtesy of the Artists and Hatch Gallery.
Kara Chin
You take one more step and I'll kill you
2026
Glazed stoneware ceramic
20 × 30.5 × 2 cm
Installation views, ‘Pity Petty’, by Kara Chin and Romain Sarrot, Hatch Gallery, Paris, 2026. © Pauline Assathiany. Courtesy of the Artists and Hatch Gallery.
Kara Chin
AMV Cats
2026
Digital animation, three screens display
Installation view, 'The Wasteland: PAY AND DISPLAY', FACT, Liverpool Biennial of Contemporary Art, Liverpool, UK, 2025. © Mark McNulty. Courtesy of the Artist and Liverpool Biennial.
Kara Chin
Fatal Blow
2025
6-Channel interactive animation
1080p 16:9 (x6)
Installation view, 'The Wasteland: PAY AND DISPLAY', FACT, Liverpool Biennial of Contemporary Art, Liverpool, UK, 2025. © Mark McNulty. Courtesy of the Artist and Liverpool Biennial.
Installation view, 'The Wasteland: PAY AND DISPLAY', 2025, details.