Laila Tara H in dialogue with Monir Sharhoudy Farmanfarmaian at Hatch Gallery

For these 22 artists, materials operate as vital forces in the creation process. Their works are informed by ancestral practices and challenge common assumptions about the world. Stones, avocados, volcanic rock, cacao, achiote, clay and mineral pigments both perform art and behave artistically. Several Eternities in a Day considers ideas around materials as records of the living and repositories of cosmic memory, Brownness and cosmopolitan Indigeneity. Refusing to speak from an ethnographic distance, the exhibition and its catalog instead propose an approach based on permeability.

Artists include: Jackie Amézquita, Carmen Argote, Gabriel Chaile, Naomi Gamarra, Raven Halfmoon, Rose B. Simpson, Ayla Tavares, Gustavo Caboco, Patricia Domínguez Claro, Sky Hopinka, Santiago Yahuarcani, Raven Chacon.

Several Eternities in a Day: Form in the Age of Living Materials features twenty-two artists from North, Central, and South America who embrace the unpredictable nature of living materials. These artists use materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes to create large-scale installations, paintings, works on paper, and mixed-media sculpture. Each of these materials is alive—they evolve, decay, drip, crumble, and evaporate. They are rooted in the spirit, memory, and knowledge of Brown and Indigenous worlds. The exhibition considers ideas around materials as records of the living and repositories of cosmic memory, organic decay and transformation.

Chez Laila Tara H, le geste n’est jamais seulement un geste. Il est tout à la fois technique ancestrale, mémoire intime et récit collectif. L’artiste s’astreint à une rigueur imperturbable qu’elle contrebalance par une spontanéité pouvant paraître naïve. Ce jeu de balancier est rendu possible par sa maîtrise de l’art de la miniature, un art historique et codifié, où se succèdent l’instantané de gestes retenus et l’ampleur des vides qui les révèlent.

A fascinating exploration of how artists are using traditional textile techniques to tell modern, global stories.

Exhibition organised by Fundación MAPFRE in collaboration with Carré d’Art, Nîmes Museum of Contemporary Art.

Colombian photographer Felipe Romero Beltrán presents Bravo, a visual narrative centered on the Rio Bravo, a territory marked by migration and identity tensions. Through portraits, interiors, and landscapes, he explores spaces of waiting, suspended bodies, and the social realities of a border.

MEN with Robert Mapplethorpe, Andres Serrano, Louis Jammes, Tomasz Machciński, David Meskhi, Pierre-Élie de Pibrac, Felipe Romero Beltrán, curated by Domitille d'Orgeval.

A site specific installation composed of eight suspended weavings and earth.

From the 1960s to the 1980s, featuring works by Sigmar Polke, Alighiero Boetti, Ettore Spalletti, Simon Hantaï, Martin Barré, Takesada Matsutani, André Cadere, Pier Paolo Calzolari, Claude Viallat, Eugène Leroy, Wang Keping, James Bishop, Marc Desgrandchamps, Jean-Michel Meurice, Jean-Pierre Pincemin, Takis, Pat Steir, Pierre Klossowski, François Rouan, and Pierre Soulages.

From 15 October to 7 December 2025, the Studio presents Dialect by Felipe Romero Beltrán, an exhibition that invites viewers to experience time and waiting through gestures and glances.